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  • Looking at Women: Gladys Nilsson’s Seriously Sexy Figures at the Menil Drawing Institute

    by Lauren Stroh Reviews
  • Authentically Vaginal: The Life Force of Vaginal Davis at PS1

    by Lisa Hsiao Chen Features, Reviews
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Reviews

Looking at Women: Gladys Nilsson’s Seriously Sexy Figures at the Menil Drawing Institute

By Lauren Stroh

Of the five figures depicted in Pablo Picasso’s enduringly outrageous Las Chicas de Avignon (the title he supposedly preferred over Les Demoiselles d’Avignon, 1907),…

Features, Reviews

Authentically Vaginal: The Life Force of Vaginal Davis at PS1

By Lisa Hsiao Chen

Writer, performer, visual artist, curator, filmmaker, musician. A queer icon, “drag terrorist,” and grand madame of the queercore punk movement. A Blacktress, the doyenne…

Reviews

Without Deference: The Political Clarity of Coco Fusco at El Museo del Barrio

By Luke Urbain

Coco Fusco’s breakout came three decades ago at a high watermark of debates over identity politics and multiculturalism, movements she has assiduously critiqued ever…

Luther Konadu

By Momus

Season 9 of Momus: The Podcast launches with Luther Konadu, an artist and publisher based in Winnipeg, Manitoba. Reading from an influential book in…

      Reviews

      Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation

      By Sky Goodden

      There is a quality of lore around Jana Sterbak. Alongside her temperamental performances and pyrotechnic affinities, she is the artist of burning crowns, interred…

      Reviews

      Potential of Other Worlds: Mystery, Lineage, and Los Angeles at AMPHI Gallery

      By Lisa Locascio Nighthawk

      “During one of those sleepless nights, the thought crosses my mind that pregnancy happens to you, like dreams.” —Jazmina Barrera, Linea Nigra: An Essay…

      Reviews

      History as a Chorus: Reimagining Monumentality at SITE Santa Fe

      By Ceci Moss

      A few miles outside of Santa Fe is a former foundry turned gallery space known as Finquita. In the main building, David Horvitz’s installation…

      Reviews

      Inside the Ruins of American Masculinity: Jared Buckhiester at David Kordansky Gallery

      By Paige Greco

      In Continent of Misbelief at David Kordansky Gallery in New York, Jared Buckhiester stages American masculinity as a ritual of collapse and works inside…

      Minh Nguyen and Tiana Reid

      By Momus

      Tune in to a special bonus episode of Momus: The Podcast featuring a live recording from the launch of writer and critic Minh Nguyen’s…

      Reviews

      Choosing How to be Seen: Lessons from Louise Nevelson’s Early Work

      By Ruby Sky Stiler

      Louise Nevelson and I are twins, separated at birth by almost one hundred years—or maybe we’re friends, or she’s my godparent: a guiding light,…

      Features

      Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion

      By Summer Kim Lee and TJ Shin

      In my book, Spoiled, I engage with a group of contemporary Asian American artists who expose and unravel the expectation that their work should…

      Reviews

      Time Made Strange: Abbas Akhavan at the Belkin Art Gallery

      By Andrew Witt

      One Hundred Years, Abbas Akhavan’s current exhibition at the Belkin Art Gallery at the University of British Columbia (UBC), loosely draws on the Brothers…

      Reviews

      Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements

      By Emma Fiona Jones

      I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky…

      Reviews

      Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago

      By Anna Aguiar Kosicki

      “A win-win situation is when both Pixy and Moro benefit from each other at the same time,” reads one entry in artist Pixy Liao’s…

      Reviews

      Call from Inside the House: Christina Forrer at Parker Gallery

      By Lisa Locascio Nighthawk

      The feeling arrived as a sense of wanting to get away. Then I thought I was too hot, my frequent complaint, never voiced, that…

      Reviews

      Learning to Move Differently: Nadia Myre at the National Gallery of Canada

      By Alexandra Nordstrom

      As I crossed the threshold into the dimly lit opening gallery that introduced Nadia Myre’s exhibition at the National Gallery of Canada, I was…

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